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The
dolmen at Poitiers, the Pierre Levee being used as a picnic site in 1561 ![]() The Rollright stones in Oxfordshire were a popular subject to early artists. This view of the circle and outlying stones was engraved by Kip in the 17th century.
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Bachwen Cromlech - 18th Century
Harold Stones - 1801 Writers
took to decorating their books with megalithic views, Stonehenge being ea
popular subject. Throughout the nineteenth century it was a
subject of constant interest to painters, including Constable and Turner,
reflecting the ever-increasing appeal of megalithic sites to the public.
Constable - 1836 |
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Caspar David Friedrich - Burial Chamber in the Snow
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Richard Tongue actually specialized in prehistoric monuments and described himself as 'painter and of megaliths'. Only a few of Tongue's paintings have survived, but he is known to have worked around the 1830s in Brittany, Cornwall, Wales and Stonehenge.
Richard Tongue - Pentre Ifan 1830 Castlerigg
circle near Keswick in the Lake District, was illustrated by J.B. Pyne's in 1859.
Castlerigg 1859 From
the 1860s onwards the skills of the engravers became gradually obsolete
with the advancement of photography.
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